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This book shows how over the hundred years between the Vienna Congress and the dissolution of the Empire, the waltz altered from signifier of upper-class artifice--covering with glitz and glamour the poverty and war central to the time--to the link between the three classes, between man and nature, and between Viennese and "Other."
Danielle Hood received her PhD in musicology from the University of Leeds.
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Take 20% off your first order
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