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Over the last three decades Slavoj Zizek has become an iconic figure of intellectuel engagé and his works have engendered ongoing reflection within as different academic disciplines as philosophy, literature or cultural, gender, postcolonial and film studies. But when it comes to music, things look different.
Mauro Fosco Bertola studied philosophy in Italy and musicology in Heidelberg. He is the author of Die List der Vergangenheit. Musikwissenschaft, Rundfunk und Deutschlandbezug in Italien, 1890-1945 (2014) as well as co-editor of Zizek and Music (2017) and An den Rändern des Lebens. Träume vom Sterben und Geborenwerden in den Künsten (2019). He is currently leading a DFG-funded project on the presence of dream in contemporary musical theatre at the University of Tübingen.
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