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Reporting both sides of the culture war between music history and radical change, Holland writes critiques on Philip Glass to Verdi, Messiaen to Bach, Peter Sellars to Zeffirelli, and Linda Ronstadt to The Three Tenors.
Throughout, Holland changes the discussion from 'will classical music survive?' to 'what classical music really is' and, in the process, destroys the myth of 'high and low art'. He also asks what a music critic really is.
Along the way, the reader chats with Herbert von Karajan, takes a plane trip with Yo-Yo Ma, joins in with the boos at Bayreuth, and walks the slow walk with Robert Wilson.
"No one today can match the limpid elegance and intellectual precision of his style, which recalls the heyday of Virgil Thomson." -The New Yorker
Perhaps the most important of this town's arbiters." The Independent
Holland has a remarkable ability to conjure up the essence of a composer of a piece of music in a few deftly chosen words. He is, I think, an aphorist of unparalleled virtuosity." - San Francisco Chronicle
Author: Bernard Holland
ISBN-10: 0976498677
ISBN-13: 9780976498674
Publisher: Lisa Hagan Books
Language: English
Published: 09/30/2015
Pages: 382
Format: Paperback
Weight: 1.60lbs
Size: 9.10h x 6.00w x 1.10d
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