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This book offers a long-overdue examination of choral performance practices in the 1800s, including expressive devices, pronunciation, instruments, and choral/orchestral placement. More than one-hundred musical examples, illustrations, tables, and photographs and contemporaneous sources detail how choral music was sung in this time period.
David Friddle is a man of many talents: author, conductor, composer, organist, designer and accomplished chef. He has two doctorates in music: Juilliard School, 1988 (organ), and the University of Miami, 2006 (choral conducting). Dr. Friddle has worked as a church musician in multiple denomi-nations; a professional graphic designer for a NYC glossy magazine and a manufacturing company in Miami; adjunct faculty at the University of South Carolina Upstate; and as a line cook at restaurant Cibr駮 in Florence, Italy.
In addition to his varied professional activities, David founded two gay men's choruses--one in Greenville, SC and the second in Asheville, NC. In 1997 he managed the SC Gay Pride March, held in Greenville; the following year he oversaw public events for the NC Gay Pride March in Asheville. His dissertation Christus is published by B舐enreiter-Verlag of Germany, and he has had articles published in the Choral Journal, American Choral Review, Newsletter of the American Liszt Society and The American Organist. Dr. Friddle has conducted in seventeen states and Europe and has given organ recitals in the major cathedrals of England and around the United States.
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Take 20% off your first order
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