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Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars (Paperback) (ISBN-13: 9780822321682)
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Cecelia Tichi
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Books
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Description
xWith its steel guitars, Opry stars, and honky-tonk bars, country music is an American original. The most popular music in America today, it's also big business. Amazing, then, that country music has been so little studied by critics, given its predominance in American culture. Reading Country Music acknowledges the significance of country music as part of an authentic American heritage and turns a loving, critical eye toward understanding the sweep of this peculiarly American phenomenon.
Bringing together a wide range of scholars and critics from literature, communications, history, sociology, art, and music, this anthology looks at everything from the inner workings of the country music industry to the iconography of certain stars to the development of distinctive styles within the country music genre. Essays include a look at the shift from "hard-core" to "soft-shell" country music in recent years; Johnny Cash as lesbian icon; gender, class, and region in Dolly Parton's star image; and bluegrass's gothic tradition. Originally published as a special issue of South Atlantic Quarterly, this expanded book edition includes new articles on the spirituality of Willie Nelson, the legacy and tradition of stringed music, and the revival of Stephen Foster's blackface musical, among others.
Author: Cecelia Tichi
ISBN-10: 0822321688
ISBN-13: 9780822321682
Publisher: Duke University Press
Language: English
Published: 07/23/1998
Pages: 424
Format: Paperback
Weight: 1.23lbs
Size: 9.00h x 6.00w x 0.86d
Review Citation(s):
Univ PR Books for Public Libry 01/01/1999 pg. 50 - Strongly Recommended
Library Journal 09/15/1998
Bringing together a wide range of scholars and critics from literature, communications, history, sociology, art, and music, this anthology looks at everything from the inner workings of the country music industry to the iconography of certain stars to the development of distinctive styles within the country music genre. Essays include a look at the shift from "hard-core" to "soft-shell" country music in recent years; Johnny Cash as lesbian icon; gender, class, and region in Dolly Parton's star image; and bluegrass's gothic tradition. Originally published as a special issue of South Atlantic Quarterly, this expanded book edition includes new articles on the spirituality of Willie Nelson, the legacy and tradition of stringed music, and the revival of Stephen Foster's blackface musical, among others.
Contributors. Mary A. Bufwack, Don Cusic, Curtis W. Ellison, Mark Fenster, Vivien Green Fryd, Teresa Goddu, T. Walter Herbert, Christine Kreyling, Michael Kurek, Amy Schrager Lang, Charmaine Lanham, Bill Malone, Christopher Metress, Jocelyn Neal, Teresa Ortega, Richard A. Peterson, Ronnie Pugh, John W. Rumble, David Sanjek, Cecelia Tichi, Pamela Wilson, Charles K. Wolfe
Author: Cecelia Tichi
ISBN-10: 0822321688
ISBN-13: 9780822321682
Publisher: Duke University Press
Language: English
Published: 07/23/1998
Pages: 424
Format: Paperback
Weight: 1.23lbs
Size: 9.00h x 6.00w x 0.86d
Review Citation(s):
Univ PR Books for Public Libry 01/01/1999 pg. 50 - Strongly Recommended
Library Journal 09/15/1998
By Cecelia Tichi
xCecelia Tichi is William R. Kenan Jr. Professor of English and Director of American and Southern Studies at Vanderbilt University. She is the author of High Lonesome: The American Culture of Country Music.
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