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This book is unashamedly aimed at a wider market than the ordinary academic volume, as it seeks to extend the impact of the research it contains, making it available to the worldwide community of Burns enthusiasts, without compromising on scholarship.
Contributors have been selected not only for their academic rigour and reputation, but also because of their ability to handle their material with elegance and accessibility for the general reader. They offer fresh insights for both academic and general readers, not least through the volume's interdisciplinary approaches, including a contribution from the great interpreter of Burns's songs, Sheena Wellington.
A key part of this volume's attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.
Ian Brown is Emeritus Professor in Drama at Kingston University and Honorary Senior Research Fellow in Scottish Literature at Glasgow University. He is the General Editor of The Edinburgh History of Scottish Literature (EUP: 2007) and widely published on aspects of theatre and literature. He is also a playwright and poet.
Gerard Carruthers FRSE is Francis Hutcheson Professor of Scottish Literature at the University of Glasgow, General Editor of the multi-volume OUP edition of Robert Burns's collected works and Principal Investigator of the related AHRC project, 'Editing Robert Burns for the 21st Century: Correspondence and Poetry'. He is Convenor of Burns Scotland partnership, the 'National Burns' collection involving national and local authority institutions Scotland-wide.
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