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The fifteen essays of this volume glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. The book takes in historical musicology as well as ethnomusicology and popular music, showcasing the diverse lines of evidence and approaches suitable for music history studies.
Nancy November is currently an Associate Professor in musicology at the University of Auckland. Combining interdisciplinarity and cultural history, her research continues to center on chamber music of the late eighteenth and nineteenth centuries, probing questions of historiography, canonization, and genre. Recent publications include Beethoven's Theatrical Quartets: Opp. 59, 74, and 95 (Cambridge University Press, 2013); a three-volume set of fifteen string quartets by Emmanuel Aloys Fster (A-R Editions, 2016); and Cultivating String Quartets in Beethoven's Vienna (Boydell Press, 2017). She is the recipient of a Humboldt Fellowship, and two Marsden Grants from the New Zealand Royal Society.
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