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Paul Thom argues that opera is a set of practices framed by the concepts of work, interpretation, performance, and art. His argument is that operatic works have the potential to be art, but so do operatic productions, independently of their value as interpretations of the works they stage.
Paul Thom is a philosopher-musician and adjunct professor in the School of Philosophical Inquiry at the University of Sydney and a Fellow of the Australian Academy of the Humanities.
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