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Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2014 festival, which takes place across the UK and finishes up at the National Theatre in London. It offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study.
Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. The volume features an introduction by Anthony Banks, Associate Director of the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for nineteen years and the anthology that accompanies it, published for the last three years by Methuen Drama, is gaining a greater profile by the year. Some iconic plays have grown out of the Connections programme including Citizenship by Mark Ravenhill, Burn by Deborah Gearing, Chatroom by Enda Walsh, Baby Girl by Roy Williams, DNA by Dennis Kelly, and The Miracle by Lin Coghlan. The series has a recognisable brand and the anthologies continue to be an extremely useful resource, their value extending well beyond their year of publication. This year's anthology includes plays by Sabrina Mahfouz, Simon Vinnicombe, Catherine Johnson, Pauline McLynn, Dafydd James, Luke Norris and Sam Holcroft.Anthony Banks (editor) is Associate Director for the National Theatre Discover Programme, where he commissions scripts for the Connections seasons, the Primary Theatre programme and Shakespeare Schools Festival, and curates a variety of projects and events for lifelong learning.
Deborah Bruce, a theatre director for over twenty years, has in more recent years embarked on a writing career. Her first stage play, Godchild, was written in 2010, while her 2012 play, The Distance, earned her a place as a finalist in the 2012/13 Susan Smith Blackburn Prize. She is currently under commission to the National Theatre and the Royal Court Theatre, London. Matt Hartley won the inaugural Bruntwood Award for his play Sixty Five Miles (2007), which was produced by Paines Plough and Hull Truck. He was also a member of the Paines Plough/Channel 4 Future Perfect Scheme, before going on in 2012 to become writer on attachment at the Royal Court, London. Currently under commission by the RSC, his previous theatre includes Punch, The Bee, Microcosm, Burning Cars and Sentenced.Thanks for subscribing!
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