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Sin Documentos is a landmark album in Spanish popular culture and continues to maintain considerable popularity more than two decades after its release. The characteristic guitar riff of the title song, a kind of rumba-rock, still occupies a place at every party in Spain. Los Rodr刕uez's success came after a decade
characterized by the rise and fall of local-language punk and new wave bands. By the time Sin Documentos appeared, however, rock journalism was fascinated by the thriving indie scene, where the bands were singing in English and had turned to grunge and noise rock.
H馗tor Fouce is Professor of Media Theory and Semiotics at Universidad Complutense de Madrid, Spain. He has held several positions on both the IASPM Spain and International IASPM boards, and has spent time as a music journalist and critic in digital media.
Fern疣 del Val is Assistant Professor of Sociology of Culture at Universidad Nacional de Educaci a Distancia (UNED), Spain. He writes about music, politics, media and youth in Spain and is the author of Rockeros insurgentes, modernos complacientes: un an疝isis sociolico del rock en la Transici (2017).Thanks for subscribing!
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