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Independent of his international renown as a humanitarian, Albert Schweitzer is well known as a great musicologist; a reputation that rests largely upon this book. Schweitzer's J. S. Bach is one of the great full-length studies of the composer, his life, and his work. Its influence on the subsequent performance of Bach's music was enormous, and there is scarcely a later work on Bach which does not acknowledge a deep debt to Schweitzer's. Grove's Dictionary says of the book, "Schweitzer has probably been more quoted than any authority since Spitta."
The first volume contains a virtual history of Protestant church music, examining the role of music in the early Protestant services of many European countries. Frequent allusions to the parallel development of art and poetry, to the leading philosophic and religious concepts of the time, and to events of contemporary history supplement and enrich the text. Narrowing the study to Germany, Schweitzer traces to their roots the forms used by Bach (with particular emphasis on the German chorale and the forms built around it), and assess the contributions of Sch?z, Sheidt, Buxtehude, Pachelbel, and others of Bach's predecessors. The volume includes a full account of Bach's life, and discusses his works for organ, clavier, strings, and orchestra. Suggestions for performance include sections on bowing, on playing chords and double stops, and on the practice of ornamentation in Bach's time.
Volume Two is concerned with Bach's choral music -- the chorales, cantatas, the Magnificat, the St. Matthew and St. John Passions, the motets, songs, oratorios, and masses. The illuminating analysis of these works, illustrated by hundreds of musical examples, is dominated by Schweitzer's highly original theories regarding Bach's pictorial representation of the text in the music, and the expressive motives Schweitzer has found and identified throughout Bach's compositions. A long concluding chapter makes recommendations for performance on tempo, phrasing, accentuation, dynamics, and on the size and arrangement of the orchestra and choir.
Schweitzer's J. S. Bach is among the definitive reference works on Bach and is high on the list of required reading for music students. Yet it is not a difficult or formidable work. It offers a stimulating, well-written narrative, with much in it to interest the music lover as well as the scholar.
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Read the first book and this 2nd one did not disappoint! Loved every chapter. More please!
Like it was written by George Santos
Received an Advanced Reader Copy from a friend. I am an avid true crime reader and upon completion I question if the author is credible. The timeline does not add up for his age and the times of his alleged involvement in organized crime. Some of the things in the book he is alleged to have said and done I remember almost word for word from movies I had previously watched. He literally stole a scene from the movie the accountant with Ben Affleck and said that he did it. I did a little research after completing the book and learned that this author was also claiming in 2010 that he was a long time member of the Bloods Gang. That coupled with the above leads me to believe that it is nothing more than fantasy. Do not waste your time or money
Like it was written by George Santos
Received an Advanced Reader Copy from a friend. I am an avid true crime reader and upon completion I question if the author is credible. The timeline does not add up for his age and the times of his alleged involvement in organized crime. Some of the things in the book he is alleged to have said and done I remember almost word for word from movies I had previously watched. He literally stole a scene from the movie the accountant with Ben Affleck and said that he did it. I did a little research after completing the book and learned that this author was also claiming in 2010 that he was a long time member of the Bloods Gang. That coupled with the above leads me to believe that it is nothing more than fantasy. Do not waste your time or money
What a difficult story to tell. I appreciate the honesty and vulnerability. Definitely made me think.
I had hopes for this book but was not expecting what I would read within the pages. If your kink is deplorable grammar, incoherent sentences, and inconsistent messages, then this book is for you. At first, I thought the book I received was not the book I ordered. But as I dived in, it was very confusing. I would not recommend this book to anyone
There are not many reviews on the internet for this book. In researching the many stores selling the book, it was self-published which makes a lot of sense. The online description is written perfectly, so reading the actual book was very difficult. Pages two and three are written clearly as well as the table of contents. Pages 155 and 156 are also written logically.
It appears this book was written, then sent through a program like “Grammarly.” Once completed it seems it was published without being re-read or edited. The first clue was the title narrative that used “Has” instead of “As.” The table of contents is one page off from what it shows on pages four though seven. Many of the “q’s” are written as “[]”
Below are some examples of what was within the pages of this book written verbatim:
“Chains & Discipline/ Domination & entry/ Sadism & Masochism (BDSM) is a wide classification of bed room play.” Page 9
“When bringing up the topic of chains, you are actually asking a person to offer you their depend on, their flexibility, and also possibly their suggestion of security in exchange for sensual/sexual enjoyment, power-play, and also feasible re-evaluation of your very own connection.” Page 39
“Techni[]ue can take a selection of kinds and also be as easy or facility as you pick to (new paragraph) bargain for your details scenario” Page 52
“BDSM stands for chains as well as entry, technique and also supremacy as well as sadism and also masochism.” Page 125
“SHELF means Risk Aware Consensual Kink.” Page 130
“Approval is whatever.” Page 152
“your twist isn’t my twist, yet your twist is OKAY.” Page 153
“You can be a top, base, or button” Page 153