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This book, the final work by Jost Hermand (1930-2021), explores the ideological struggles of German composers from the late seventeenth century onward and how these affected some of their most important works, from Pietism and Lutheranism to fascism, exile and the modernism of the early Federal Republic of Germany.
Jost Hermand (1930-2021) got his Ph.D. at the Marburg University in German literature and art history. Since 1958 he taught German cultural history at the University of Wisconsin in Madison (USA). Between 2003 and 2013 he lectured as Honorary Professor of German at the Humboldt University in Berlin. Among his most important publications are a German cultural history in nine volumes (1959-2010) with Richard Hamann and Frank Trommler, a book about literary methodology entitled Interpretive Synthesis, books on the German opera, utopian thinking, the history of ecological awareness in Germany and German-Jewish history, as well as books on Ludwig van Beethoven, Heinrich Heine, Adolph Menzel and Bertolt Brecht.
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