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A renowned scholar of Arab cultures, cooke spent six months in Syria during the mid-1990s familiarizing herself with the country's literary scene, particularly its women writers. While she was in Damascus, dissidents told her that to really understand life under Hafiz Asad, she had to speak with playwrights, filmmakers, and, above all, the authors of "prison literature." She shares what she learned in Dissident Syria. She describes touring a sculptor's studio, looking at the artist's subversive work as well as at pieces commissioned by the government. She relates a playwright's view that theater is unique in its ability to stage protest through innuendo and gesture. Turning to film, she shares filmmakers' experiences of making movies that are praised abroad but rarely if ever screened at home. Filled with the voices of writers and artists, Dissident Syria reveals a community of conscience within Syria to those beyond its borders.
miriam cooke is a professor of Arabic literature and culture at Duke University. Her books include Women Claim Islam: Creating Islamic Feminism through Literature and Women and the War Story as well as the coedited collections Muslim Networks from Hajj to Hip Hop; Opening the Gates: An Anthology of Arab Feminist Writing; and Blood into Ink: South Asian and Middle Eastern Women Write War.
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