Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body by Heinrich, Ari Larissa

Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Paperback) (ISBN-13: 9780822370536)

Vendor: Ari Larissa Heinrich
Product type: Books
Format: Paperback
$27.95
$27.95
$27.95
Subtotal: $27.95
Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body by Heinrich, Ari Larissa

Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body

$27.95
Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body by Heinrich, Ari Larissa

Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body

$27.95
Format: Paperback
Description
Description
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What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin--however upsetting to witness--constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.

Author: Ari Larissa Heinrich
ISBN-10: 0822370530
ISBN-13: 9780822370536
Publisher: Duke University Press
Language: English
Published: 03/05/2018
Pages: 264
Format: Paperback
Weight: 0.80lbs
Size: 9.00h x 5.90w x 0.60d
By Ari Larissa Heinrich
By Ari Larissa Heinrich
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Ari Larissa Heinrich is Professor of Chinese Literature and Media at the Australian National University . He is the author of The Afterlife of Images: Translating the Pathological Body between China and the West, also published by Duke University Press, and coeditor of Embodied Modernities: Corporeality, Representation, and Chinese Cultures.

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